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Ağa Sk. No:42 Katmerci Apt. Kat:2 Şahinbey/Gaziantep 0342 325 25 00 Fax: 0342 325 0525 - gulradyo@hotmail.com
At 7 a.m. on September 6, 1975, a Sikorsky helicopter from the “Flying Cranes” of the Kansas National Guard’s 137th Aviation Company hovered noisily over Mount Oread. Enlisted by station personnel, the soldiers and their helicopter were there to hoist KJHK’s new antenna into place on the radio tower behind Marvin Hall. The job would be done by 10 a.m., but it would be another five weeks of paperwork-related delays before the station finally hit the airwaves. Over the next 35 years (and up to the present day) KJHK would serve as Lawrence’s iconoclastic, self-described “Sound Alternative” to mainstream commercial radio. Its history has often been as colorful as the music it has played. KJHK was hardly KU’s first foray into radio. KFKU, the University’s initial venture in radio broadcasting, had made its official debut on December 15, 1924, but a combination of signal interference and the station’s focus on educational programming had reduced its airtime to just five hours a week by the 1950s. Meanwhile, in September 1952, the University’s public radio affiliate KANU began operations, and KU itself had been served since 1956 by KUOK, a “wireless-wired” cable AM station run by School of Journalism students and available only in the dorms. But what it lacked in size, KJHK attempted to make up for with the diversity of its sound. From the beginning the station aimed not only to serve the practical interests of the student community, but also to provide its listeners with progressive musical selections and provocative informational programs. Nontraditional rock and jazz dominated the musical offerings, and the station’s scant Top-40 coverage got the axe by early 1976 in favor of more avant-garde fare. KJHK’s Fall 1975 program schedule, for example, included such music shows as “Jayhawk Jams,” a “progressive music show…that keeps things loose with the best new music in town,” and “After Dark,” a show offering “good progressive sounds…with the host that gives the most.” Alongside the music were talk shows concerning student life, many of them aimed at minority students like “Relevance in Black” for African-Americans, “The First Americans” for Native Americans, and the feminist-oriented “The New Woman.” Inevitably, KJHK’s first years were a bit rocky. The station’s student-run status and its self-consciously “progressive” musical leanings meant that its unorthodox sound and rough delivery alienated some listeners. One student complained in the University Daily Kansan in 1977 that the “monotonic and mundane voicing” of the student DJs had “succeeded in producing the most boring radio programs in the Lawrence area.” Others, in the words of a 1982 Kansan article, considered the station’s punk and New Wave selections as nothing more than “mindless babble cranked out at high volume by orange-haired idiots.” Even some KHJK staffers complained of its musical inconsistency, annoyed that the station’s allegedly “progressive” play lists were seemingly thrown together willy-nilly by individualistic DJs with no sense of professionalism. One station manager, for example, was distressed to hear a heavy metal tune followed by the “Mickey Mouse” theme. But many others loved KJHK’ s quirky approach to programming. In 1982 New York Rocker ranked the station as one of the best in college radio. In 1986 Spin magazine honored KJHK for “developing and promoting” local alternative music, and the station was a perennial favorite in statewide broadcasting awards. Listeners around Mount Oread agreed that the station was a winner. On April Fool’s Day, 1980, KHJK announced, tongue in cheek, that it was changing its format to “all disco” and proceeded to flood the airwaves with the latest hits by the likes of Donna Summer and Gloria Gaynor. Apparently oblivious to the April 1 date, over 300 angry callers besieged the station, demanding the return of its progressive programming. KJHK pulled off a similar hoax on April Fool’s Day, 1986, playing a constant stream of mainstream pop artists like Madonna, Culture Club, and Van Halen. Among the deluge of angry callers was a person who threatened to blow up the KU Endowment Association unless the station returned to its old ways. A more authentic format change in the summer of 1988, inspired by an independent study which suggested KHJK play more Top-40 tunes to broaden its audience, resulted in at least one campus protest rally and a number of angry letters to the Kansan. But some KJHK controversies were more serious than debates about musical taste. The station also had several brushes with FCC regulators. In 1989, the federal regulatory agency fined KJHK $2,000 for violations regarding the content of donor announcements. One of the more serious incidents, however, came on October 5, 1978. On that day a bored KJHK staffer wrote a bogus wire report claiming Waterloo, Iowa, had been destroyed by a nuclear reactor explosion, killing some 15,000 people. After handing it to the station’s news editor as a practical joke, the author tossed the fake report into a wastebasket around 3:30 p.m. But another staffer, thinking it was authentic and failing to verify it, fished it out of the wastebasket and read it on the 4:50 p.m. newscast. Several other stations picked up the story, and by morning of the next day, FCC investigators from Kansas City had descended on Lawrence, suspecting the bogus news item was the work of anti-nuclear activists. Little came of the incident in the end, though the guilty students were relieved of their radio duties. The growing multiculturalism of the 1980s brought controversy to KJHK as well, as the station became entangled in debates over racial and gender discrimination. In 1983 the KU campus group Blacks in Communications complained to the Student Senate that KJHK failed to provide enough programming for black students, claiming that only three of the station’s 168 broadcasting hours per week were aimed at minority listeners. Three years later, station DJ Kiesa Harris filed a complaint with the KU office of affirmative action, claiming that her feminist-oriented program “Womonsong” had been bumped into a less desirable time slot due to its controversial content. KJHK Program Director David Hale had termed the show too “lesbian-oriented” and moved it from its normal Saturday 6-9 p.m. slot to 3:30-5 p.m. At least one male listener took the station to task in the Kansan, asking “has KJHK forgotten their toots and reasons for being on the air – to provide a “Sound Alternative?” But mediation soon defused the incident – “Womonsong” remained on the air unchanged. Things became especially intense in February 1988 when KJHK invited two local members of the Ku Klux Klan to take part in a debate about racial issues on the talk show “Jay-talk 91.” Unable to find any opponents willing to share a microphone with KKK members, the station decided to go ahead with the show anyway. But pressure from leaders of the Lawrence African-American community, who opposed giving the Klan a free podium, convinced University officials and the KU School of Journalism faculty to cancel the Klansmen’s visit. On February 19, KU Executive Vice Chancellor Judith Ramaley told the Kansan that security concerns had been a major factor in the decision. Few on campus were happy with this explanation and the resultant outcome. Although KU was hardly a hotbed of Klan support, many feared the University had sacrificed freedom of speech to political concerns. Extremist-group expert Laird Wilcox, founder of the Kenneth Spencer Research Library’s Wilcox Collection of Contemporary Political Movements, criticized KU’s stance and contended “people from outside the University…are using racial sensitivity to control the administration.” The Kansan also blasted the decision. Administrators, it claimed, “hid behind ‘security reasons,’ thus proving…that at KU, the threat of violence carries more weight than the principle of academic freedom.” Of course, the Klan was not a group to be taken lightly – in response to the decision to ban the group from KJHK, Klan Exalted Cyclops J. Allen Moran threatened to “come to the KU campus [and] roar in the streets.” Nothing of the sort ever happened, and by March the issue had faded away. Through the 1990s, KJHK maintained its iconoclastic course. The station would continue to win broadcasting awards and appear near the top of “best station” polls around the state and nation, and in December 1994 KJHK became the world’s first radio station to offer a live, continuously streaming Internet signal. Controversial topics like sex and homosexuality (including a 1992 debate between gay leaders and Topeka anti-gay activist Fred Phelps) continued to find airtime and inspire debate. And, if its past is any indication, KJHK will offer more of the same in the years to come, advancing its self-appointed mission of providing sound alternatives to the everyday radio experience. ------ Shows: Pipe Dreams, The Mark Arum Show, Not Moving, All Jazzed Up, Alternative Flashback, Bluesology, Breakfast For Beatlovers, Breakiotomy, Busstop, Cocktails at Seven, Cutout, Dinner Party, HipHopHyp, I Got My Spirit Moving, Jazz in the Morning, Malicious Intent, Plow The Fields, Robotron Danceathon, State of the Arts, Swingin' on the Strings, The Foriegn Exchang ----- Hosts: Michael Barone, Nick R., Gabe Holcombe, Evil Steve K, Mike H., Nicholas Goss
Phoenix-based hosts, many musicians themselves, share their knowledge of the music along with news of the arts happenings in the Valley. The station carries the nationally syndicated program, Sunday Baroque with Suzanne Bona (Sundays 6am - 10am), and KBACH's own Matt Rogers has syndicated his weekly hour-long film music series, Reel Music (Saturdays 6pm). Seasonally, KBACH brings performances recorded in Arizona, including the Phoenix Symphony and the Phoenix Chorale, as well as visiting professional ensembles -- and ASU student and faculty performances. These broadcasts are heard some weeknights at 7pm when in season. KBACH's hosts are Sterling Beeaff, Jon Town, Matt Rogers, Brian Smith, Linda Cassidy, Janine Miller, Duart Martin, and Charlotte Wilson."
WWSP is the University of Wisconsin-Stevens Point alternative radio station. We are the largest student operated radio station in the entire Midwest.
(R4 Edition), Global Business, One Planet, The Monday Documentary, The Strand, Assignment, BBC Business Daily, BBC World Business News, BBC World News, Business Weekly, Charlie Gillett's World of Music, Heart and Soul, Politics UK, Science in Action, The Instant Guide, The Interview, The World Today, World Briefing, World Update, Analysis (BBC WS), BBC Newshour, Digital Planet, Sportsworld, The Forum, BBC Outlook, World, Have Your Say, BBC Sports Roundup, Europe Today, Something Understood, Wednesday Documentary (BBC WS), World Briefing, Discovery, Health Check, World Football, Friday Documentary, Inside the Premiership, Over To You, Top Of The Pops, BBC Friday Documentary, World Cricket, Focus On Africa, Aftershock, Analysis, Assignment, BBC News Summary, BBC World News, Business Daily, Business Weekly, Charlie Gillett's World Of Music, Digital Planet, Discovery, Europe Today, From Our Own Correspondent, Global Business, Health Check, Heart And Soul, Letter From..., Newshour, Olympic Sportsworld, One Planet, Outlook, Over To You, Politics UK, Science In Action, Something Understood, Sports News, Sports Roundup, Sportsworld Extra, Sportsworld, Have Your Say, Sunday Sportsworld, The Forum, The Friday Documentary, The Interview, The Monday Documentary, The Strand, The Wednesday Documentary, World Business News, World Football, World, Have Your Say, Worldplay, Network Africa ----- Hosts: Dan Damon, Ahmed Omed Khpulwak, Jamie C Here, Ros Atkins, Not Found, Kim Robson, International Cricket Council, Dr Ben Goldacre, Adam Rutherford, Roland Pease, David Austin, Julie Candler, Gaenor Howells, Jerry Smit, Jonathan Izard, Iain Dale, Gavin Ellwood, Gaby Hinsliff, Richard Connelly, Russell Fuller, Lee James, Ros Atkins, Nuala Mcgovern, Mark Sandell, Ben Malor
on 3, Between the Ears, Breakfast (BBC R3), CD Review, Choral Evensong, Classical Collection, Composer of the Week, Discovering Music, Drama on 3, Handel Opera Cycle, Hear and Now, Iain Burnside, In Tune, Jazz Library, Jazz Line-Up, Jazz on 3, Jazz Record Requests, Late Junction, Music Matters, Night Waves, Opera on 3, Performance on 3, Private Passions, Radio 3 Lunchtime Concert, Radio 3 Requests, Recital, Sunday Feature, The Choir, The Early Music Show, The Essay, The Verb, Through the Night (BBC), Twenty Minutes, Words and Music, World on 3, World Routes ----- Hosts: Jonathan Swain, Jonny Trunk, Andrew Mcgregor, Sarah Walker, Donald Macleod, James Jolly, Alyn Shipton, Claire Martin, Julian Joseph, Jez Nelson, Geoffrey Smith, Fiona Talkington, Verity Sharp, Max Reinhardt, Tom Service, Anne Mcelvoy, Ray Hatch, Mike Lock, Michael Berkeley, Aled Jones, Catherine Bott, Martin Handley, Jonathan Harvey., Ian Mcmillan, Lopa Kothari, Mary Ann Kennedy, Tim Minchin, Anton Arensky
Jazz at Lincoln Center, Listen Here!, Radio Deluxe, Benmergui in the Morning, Bluz FM, Cafe Latino, Dinner Jazz, Jazz in the City, Jazz Preview, Jazzology, Joe Sealy's Duets, Larry Green, Mid-day Jazz, Music to Listen to Jazz, My Kinda Jazz, Saturday Afternoon Jazz (CJRT), Sidran on Record, Sunday Afternoon Jazz (CJRT), The Big Band Show ----- Hosts: Bob Parlocha, Not Found, David Holt, Jim Cullum, John Pizzarelli, John Donabie, Laura Fernandez, Brad Barker, Ross Porter, Walter Venafro, Heather Bambrick, Glen Woodcock
, Classical Mornings with Mike and Jean, Bill's Classical Jukebox, The Oasis, A Little Night Music with Kathleen Kajioka, Nocturne with Marilyn Nightstone, In the Still of the Night, Breakfast Classics with Alexa Petrenko, Solid Gold Classics, The Classical Chartz, Pop Classics, Dinner Classics, Sunday Afternoon with Alexa Petrenko, Destination Classics with Mike Duncan, Zero to 1800, Art at the end of the World, Sunday Night at the TSO, Sunday Night at the Opera, The Anti-Noise Pollution League, The Zoomer Report, By Request with Kathleen Kajioka
The cosmopolitan city station NRJ now broadcasts straight out of Bern, Switzerland. The newest hits and freshest DJs make this the place to be.
Discover the best of Santafé Rádio broadcasting live from Goiânia, Brazil. Enjoy crystal clear audio and diverse programming.
contemporary, experimental film and music trends, and relevant to sound art projects. Available as an independent radio all kinds of political and mercantile interest, a single religion and ideology. Shows defines free commuting between the world around us popular music and experimental extremes.
a special focus on Art/learned music also known as nhda music which flourished between the late nineteenth and early twentieth centuries with the advent if recording companies and the 78 rpm record medium.
Stockholm Narradio FM 95.3 är en FM-radiostation från Stockholm, Stockholm, Sweden, som spelar Variety.
Radio New Zealand Concert 92.6 is a broadcast radio station from Auckland, New Zealand, providing classical music, jazz, world music, arts programmes and documentaries.
sound of people using their imagination far too much… On the station you’ll be able to hear all the comedy and drama we’ve produced over the years. There will also be new episodes of ‘Mind Labs’, plus you’ll be able to hear the thoughts of our DJ’s in ‘Music in The Pub’ and the musings of our poets & writers in ‘Creatively Yours’.
and of the African continent & it’s diaspora. Radio Future Africa, Is an open, inclusive, collaborative & participatory platform with the intend to transcend, broaden and open up new frontiers, revolutionizing how knowledge and information is transmitted and shared.
Big Radio 1 93.6 is a broadcast Radio station from Banja Luka, Bosnia and Herzegovina, providing News, Spoken, Art programs.
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Trust Radio is an internet radio station from Thessaloniki, Greece providing News, Art, Culture, Sports and Information.
artFM Radio is an internet radio station from Limassol, Cyprus, providing best music, art, entertainment and live shows from all over the world.
RTV - Radio 2 is broadcast radio station on the RTV network from Novi Sad, Serbia providing Public News, Talk, Information, Art and Entertainment.
يوم 9/1/2014 في تمام الساعة 5 مساااااء علي تردد 95:00 FM وبعد إيقافها لأكثر من 10 شهور رجعنالكو تاني أخيرا يوم 18-12-2014 بقرار من السيد الأستاذ/عصام الامير رئيس اتحاد الإذاعة والتليفزيون بتشجيع وتأييد رئيس الإذاعة ا. عبد الرحمن رشاد وبكده - شعبي اف ام تكون أول إذاعة مصريه تبث التراث الشعبي القديم ...
